Caslon 8 on 9-point


‘Why are William Caslon’s types so excellent and so famous? To explain this & make it really clear . . .

£40.00 Add to cart

Centaur 22 on 18pt Roman


Centaur, originally designed by Bruce Rogers and hand-cut in 1915 for casting into case, was redrawn for Monotype and reissued in 1929. It was first used by Rogers for his Oxford Lecturn Bible, described by Stanley Morison as the ‘most

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£90.00 Add to cart

Centaur 22 on 18pt Bible Italic


Centaur, originally designed by Bruce Rogers and hand-cut in 1915 for casting into case, was redrawn for Monotype and reissued in 1929. It was first used by Rogers for his Oxford Lecturn Bible, described by Stanley Morison as the ‘most

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£90.00 Add to cart

Caslon 24pt lower case only


‘Why are William Caslon’s types so excellent and so famous? To explain this & make it really clear . . .

£80.00 Add to cart

Caslon 12-point extra sorts fount


‘Why are William Caslon’s types so excellent and so famous? To explain this & make it really clear . . .

£60.00 Add to cart

Old Style (series 2) 12pt


A half strength jobbing fount of Monotype 12-point Old Style cast at the Whittington Press. This fount weighs 1.6kg and contains all the f ligatures, punctuation & figures. The photograph shows the contents of the pack. Old style was originally cut by

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£60.00 Add to cart

Caslon 22 on 24pt Italic


‘Why are William Caslon’s types so excellent and so famous? To explain this & make it really clear . . .

£90.00 Add to cart

Caslon 22 on 24pt Roman


‘Why are William Caslon’s types so excellent and so famous? To explain this & make it really clear . . .

£90.00 Add to cart

Grot 215, 215 italic and 216


A quarter strength jobbing fount of 9 on 11-point Monotype Grotesque 215 and 216 with 215 italic. This is a rare opportunity to combine three variations of the now fashionable Grots. As pictured, the fount includes u&lc, and all the figures,

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£95.00 Add to cart