Matrix 33

Matrix 33

Matrix 33 will contain some 160 pages, including 8 pages of colour plates; type specimens printed in France, Italy, America and the UK; and many other linocut, and line and colour illustrations. The contents will include:

‘A Hard Rain’s Gonna Fall’: Protest Images from the Nineteen Sixties by Dennis Gould; Herbert Jefferies, or The Bronze Buckaroo by Barbara Henry; Bradley Hutchinson – a Letterpress Fusion by Catherine Docter; Flaps & Hinges by Andrew Anderson; Hornby and the Daniels, their Correspondence by William S. Peterson; Reynolds Stone by Humphrey Stone; Lac Des Pleurs by Gaylord Schanilec; It’s Not Nostalgia, the Skill and Vision of Lowell Bodger by Paul Shaw; An Eighteenth-Century Factory for Bibles by Martyn Ould; The Rampant Lions Press at the Fitzwilliam Museum, 1982 by Sebastian Carter; Reprinting Printing Types: a Wander through the Design of Stephenson Blake’s Type Specimens by David Marshall and Elizabeth Ellis; Wood Type Revival by Tom Mayo; Tribulations of a Publishing Bookseller by George Ramsden; Matrix and Minnesota by John Randle; Donatus Pro Puerulis, the Lost Subiaco Edition and a Replica Imagined by Richard Årlin; Watermarks, and the Flow of Time by Enrico Tallone; From the Guild of St Joseph to Ditchling Museum by Jenny KilBride; Émigrés by Anna Nyburg; First Folio by Louisa Hare; La Fin du Monde by Celine Biewesch; Bristol to Mainz, with Bicycle and Adana by Nick Hand; A Bookseller’s Diary by Sophie Schneideman; Book Reviews by Paul W. Nash, John Randle and Patrick Randle.

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Minnesota & Whittington

Whittington Press archive

16 of the fifty boxes destined for the archives of the University of Minnesota, total weight almost half a ton, to join the rest of the Whittington archive that has already been there for nearly 30 years. The University had our only complete collection of every book in every edition in 1985, a collection which it would now be virtually impossible to repeat. It will now have all the correspondence files going back to A Boy at the Hogarth Press in 1972, including for the first 32 issues of Matrix, the working material (proofs, paste-ups, layouts) for each publication, and much else besides.

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Michael Harvey: ‘Book-jackets’

Michael Harvey Jubilate

Michael Harvey was the finest lettering artist of his generation, following in the tradition of Berthold Wolpe at Fabers. I first met him in 1972 when I worked for Heinemann, for whom he did some work. We discussed the idea of him doing an alphabet for the embryonic Whittington Press, but sadly nothing came of it. In Matrix 26 he described his apprenticeship with Reynolds Stone, and in Matrix 27 his earlier time stonecutting with Joseph Cribb, who had worked with Eric Gill at Ditchling before the war. John Randle

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